New Chinese Cinemas

副标题: Forms, Identities, Politics

ISBN: 9780521448772

出版社: Cambridge University Press

出版年: 1994-2-25

页数: 275

定价: USD 29.99

装帧: Paperback

内容简介

New Chinese Cinemas analyzes the changing forms and significance of filmmaking in the People's Republic of China, Taiwan, and Hong Kong since the end of the Cultural Revolution, with a particular emphasis on how film comments on the profound social changes that have occurred in East Asia over the past two decades. Considering in detail both conservative and progressive stances on economic modernization, it also demonstrates how film has been an important formal structure and social document in the interpretation of these changes. The essays collected here, which were specially commissioned for this volume, also offer extended analyses of the important trends, styles, and work that define Chinese filmmaking in the 1980s.

作者简介

Nick Browne is Professor of Film at the University of California, Los Angeles, and coeditor of "New Chinese Cinemas: Forms, Identities, Politics" (1994).

Paul G. Pickowicz is Distinguished Professor of History and Chinese Studies at the University of California, San Diego and inaugural holder of the UC San Diego Modern Chinese History Endowed Chair.

Vivian Sobchack is Professor and Associate Dean in the School of Theater, Film, and Television at the University of California, Los Angeles. She is the author of "Screening Space: The American Science Fiction Film "(1997) and "The Address of the Eye: A Phenomenology of Film Experience "(1992) and the editor of "Meta-Morphing: Visual Transformation and the Culture of Quick Change "(2000) and "The Persistence of History: Cinema, Television, and the Modern Event "(1996), among other books.

Esther C. M. Yau is Assistant Professor of Film at Occidental College.

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