Elisabeth Vigee Le Brun

副标题: The Odyssey of an Artist in an Age of Revolution

ISBN: 9780300108729

出版社: Yale University Press

出版年: 2005-10-06

页数: 256

定价: USD 35.00

装帧: Hardcover

内容简介

From The New Yorker

Vigee Le Brun became a famous portraitist while still in her twenties, and was a favorite of Marie-Antoinette. May's biography seeks to rescue her from critics who have dismissed her as an operator and a superficial talent. Born in 1755, Vigee Le Brun lived until the eighteen-forties and produced two volumes of memoirs, which form the backbone of this account. Occasionally, one feels the lack of broader perspectives, and May, a literature professor, fails to give a detailed sense of either the historical context or the aesthetic content of her subject's works. Still, she effectively conveys that, for Vigee Le Brun, matters such as politics, friendship, and love were subordinate to an absolute focus on honing her skill. Even post-Revolution exile was turned to advantage; she traversed Europe looking at masterpieces and painting such subjects as Byron and the family of Catherine the Great.

Copyright ? 2005 The New Yorker

From Booklist

*Starred Review* In a biography as entrancing as its impressive subject, May chronicles the life story of a French woman artist who overcame the entrenched misogyny and bloody upheavals of her time to become the portraitist of choice for Europe's most powerful rulers. Elisabeth Vigee Le Brun (1755-1842) was blessed not only with talent but also with beauty, poise, and pragmatism. Already earning a good living with her luminous portraits--she was particularly adept at capturing the radiance of women and girls--Vigee Le Brun was reluctant to marry, and sure enough, her husband squandered her fortune. Vigee Le Brun was forced to flee Paris after the French Revolution, but she turned exile into a grand tour of Italy, Germany, Austria, Russia, and England as she was warmly welcomed everywhere she went and given plum commissions. Fearless, inquisitive, and clear-eyed, Vigee Le Brun climbed Mount Vesuvius, painted Catherine the Great, and hid her diamonds in her stockings, eventually returning to France in triumph. Like her irresistible subject, May is a superb portraitist, rendering with a rich palette and a light touch the exhilarating life of a remarkable artist and human being. Donna Seaman

Copyright ? American Library Association. All rights reserved